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Devoted to the Romantic reception of the Baroque, the articles are orientated primarily towards Bach, although the adopted perspectives and approaches are highly universal. Discussed from a range of angles are such themes as Bach and Chopin, Bach in nineteenth-century violin music, the reception of Bach in Paris, Bach and Schumann, and Bach and Schubert.
From the Editor
‘We believe that this volume is truly a collective work on the Romantic reception of the Baroque – mainly oriented towards Bach. We trust, however, that the perspective and way(s) of looking at this topic are nevertheless highly versatile and definitely not German-centric. To this end, subjects such as Bach and Chopin, Bach and nineteenth-century violin virtuosity, and the reception of Bach in Paris, are balanced with topics more typical of Bach research, e.g. Bach and Schumann, Bach and Schubert, early nineteenth-century editions of Bach’s music etc. and discussed within a variety of formulations and frameworks.’